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  3. Roman black-and-white figural mosaics

Roman black-and-white figural mosaics

John R. Clarke
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  • Contents

  • Reviews

  • Related Titles

  • Stats

  • Cover
  • Title Page
  • Copyright and Permissions
  • List of Illustrations
  • Frontispiece
  • Dedication
  • Preface to the Electronic Edition
  • Preface
  • Abbreviations
  • Introduction
  • Part One Composition in Black-and-White Figural Mosaics
    • I First Century: Rise of the Independent Figure-in-Architecture
      • The Architectural Setting
      • Trabeated Construction
      • Vaulted Construction
    • II Late Trajanic and Hadrianic Periods (110-138): Aesthetics of Flow and Kinesthetic Address
      • The Changing Relationship of Mosaic to Architecture
      • The Changing Relationship of Mosaic to the Spectator: Spectator Address
      • Three Types of Mosaic Composition
      • Trabeated Construction
      • Vaulted Construction
    • III Antonine Period (139-193): Extension of Kinesthetic Address
      • [Intro]
      • Trabeated Construction
    • IV Severan Period through Mid-Third Century (193 to about 250): Aesthetics of Disjunction and Axiality
      • [Intro]
      • Monumental Trabeated Construction
      • Small-Scale Trabeated Construction
      • Vaulted Construction
  • Part Two Style in Black-and-White Figural Mosaics
    • V First Century: Silhouette Style and Its Alternatives
      • [Intro]
      • The Transition from Polychromy to Monochromy and the Emergence of the Silhouette Style
      • The Late Silhouette Style
      • The Neronian Fluid-Highlights Style
    • VI Late Trajanic and Hadrianic Periods (110-138): Draftsmanly Style
      • [Intro]
      • The Draftsmanly Style
      • The Hadrianic Classicizing Style
    • VII Antonine Period (139-193): Emergence of the Optical Style
      • White-Line Drawing in the Draftsmanly Style
      • The Early Optical Style
    • VIII Severan Period (193-235) and Later Third Century: Optical Styles
      • [Intro]
      • The Severan Optical Style I
      • The Late Draftsmanly Style
      • The Severan Optical Style II
      • The Optical Silhouette Style
  • Conclusion
  • Additional Resources Supplementary Figures
  • Notes
    • Preface to the Electronic Edition
    • Introduction
    • I First Century
    • II Late Trajanic and Hadrianic Periods (110-138)
    • III Antonine Period (139-193)
    • IV Severan Period through Mid-Third Century (193 to about 250)
    • V First Century
    • VI Late Trajanic and Hadrianic Periods (110-138)
    • VII Antonine Period (139-193)
    • VIII Severan Period (193-235) and Later Third Century
    • Conclusion
  • Bibliography for the Electronic Edition
  • Indices
    • I. Mosaics by Site
    • II. Mosaics No Longer in Situ
    • III. General Index
  • About the Author
Reviews
Journal AbbreviationLabelURL
AJA 85.2 (Apr. 1981): 236-237 http://links.jstor.org/sici?sici=0002-9114%28198104%2985%3A2%3C236%3ARBFM%3E2.0.CO%3B2-7
CR 31.1 (1981): 140-141 http://links.jstor.org/sici?sici=0009-840X%281981%292%3A31%3A1%3C140%3ARBFM%3E2.0.CO%3B2-S
Related Titles
HEB IdTitleAuthorsPublication Information
Scavi di Ostia 4: I mosaici e pavimenti marmorei. Becatti, Giovanni. Rome: Istituto Poligrafico dello Stato, 1960.
heb02708.0001.001 Pavimente und figuerliche Mosaiken. Pernice, Erich. Berlin: W. de Gruyter & Co., 1938.
Citable Link
Published: 2006
Publisher: College Art Association
ISBN(s)
  • 9781597402880 (ebook)
  • 9780814713761 (hardcover)
Series
  • College Art Association Monographs
Subject
  • European: Ancient to 400 C.E.

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Figure 56.a Ostia, II, vi, 1, Caserma dei Vigili, pronaos, view from northern portico doorway.

Ostia, II, vi, 1, Caserma dei Vigili, pronaos, view from northern portico doorway.

Figure 56.a

Figure 56.b Ostia, II, vi, 1, Caserma dei Vigili, pronaos, detail.

Ostia, II, vi, 1, Caserma dei Vigili, pronaos, detail.

Figure 56.b

Figure 62.c Ostia, II, i, 1, Caseggiato del Cane Monnus, view from stairs of northwestern doorway.

Ostia, II, i, 1, Caseggiato del Cane Monnus, view from stairs of northwestern doorway.

Figure 62.c

Figure 64 Ostia, III, viii, 2, Terme Marittime, plan of entire complex with mosaics of rooms A, B, C, and D.

Ostia, III, viii, 2, Terme Marittime, plan of entire complex with mosaics of rooms A, B, C, and D.

Figure 64

Figure 64.a Ostia, III, viii, 2, Terme Marittime, plan with mosaics of rooms A, B, C, and D.

Ostia, III, viii, 2, Terme Marittime, plan with mosaics of rooms A, B, C, and D.

Figure 64.a

Figure 64.b Ostia, III, viii, 2, Terme Marittime, room A, reconstruction of mosaic pavement from archival sources.

Ostia, III, viii, 2, Terme Marittime, room A, reconstruction of mosaic pavement from archival sources.

Figure 64.b

Figure 64.c Ostia, III, viii, 2, Terme Marittime, room A, reconstruction of mosaic pavement from archival sources.

Ostia, III, viii, 2, Terme Marittime, room A, reconstruction of mosaic pavement from archival sources.

Figure 64.c

Figure 64.d Ostia, III, viii, 2, Terme Marittime, room A.

Ostia, III, viii, 2, Terme Marittime, room A.

Figure 64.d

Figure 69.a Ostia, IV, ii, 1, Terme del Faro, room A, overhead view.

Ostia, IV, ii, 1, Terme del Faro, room A, overhead view.

Figure 69.a

Figure 76.a Tor Marancia, Villa of Munatia Procula, detail of Ino.

Tor Marancia, Villa of Munatia Procula, detail of Ino.

Figure 76.a

Figure 84.a Ostia, I, Rome, Palazzo Altieri.

Ostia, I, Rome, Palazzo Altieri.

Figure 84.a

Figure 90.a Rome, Arch of Septimius Severus, southwest panel.

Rome, Arch of Septimius Severus, southwest panel.

Figure 90.a

Figure 91.a Rome, Terme di Caracalla, south palaestra, Severan optical style I.

Rome, Terme di Caracalla, south palaestra, Severan optical style I.

Figure 91.a

Figure 96.a Rome, Terme di Caracalla, south palaestra, detail.

Rome, Terme di Caracalla, south palaestra, detail.

Figure 96.a

Figure 96.b Rome, Terme di Caracalla, south palaestra, Severan optical style I.

Rome, Terme di Caracalla, south palaestra, Severan optical style I.

Figure 96.b

Figure A6.a Ostia, III, xvi, 7, Terme della Trinacria, room D, view into room from west.

Ostia, III, xvi, 7, Terme della Trinacria, room D, view into room from west.

Figure A6.a

Figure A19 Rome, Terme di Caracalla, south palaestra, Severan optical style II.

Rome, Terme di Caracalla, south palaestra, Severan optical style II.

Figure A19

Figure A19.a Rome, Terme di Caracalla, south palaestra, Severan optical style II.

Rome, Terme di Caracalla, south palaestra, Severan optical style II.

Figure A19.a

Figure A19.b Rome, Terme di Caracalla, south palaestra, Severan optical style II.

Rome, Terme di Caracalla, south palaestra, Severan optical style II.

Figure A19.b

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