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Native speakers: Ella Deloria, Zora Neale Hurston, Jovita González, and the poetics of culture
María Eugenia Cotera
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Frontmatter
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Acknowledgments (page ix)
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Introduction: Writing in the Margins of the Twentieth Century (page 1)
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PART 1. Ethnographic Meaning Making and the Politics of Difference (page 23)
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1. Standing on the Middle Ground: Ella Deloria's Decolonizing Methodology (page 41)
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2. "Lyin' Up a Nation": Zora Neale Hurston and the Literary Uses of the Folk (page 71)
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3. A Romance of the Border: J. Frank Dobie, Jovita González, and the Study of the Folk in Texas (page 103)
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PART 2. Re-Writing Culture: Storytelling and the Decolonial Imagination (page 133)
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4. "All My Relatives Are Noble": Recovering the Feminine in Waterlily (page 145)
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5. "De nigger woman is de mule uh de world": Storytelling and the Black Feminist Tradition (page 171)
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6. Feminism on the Border: Caballero and the Poetics of Collaboration (page 199)
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Epilogue. "What's Love Got to Do with It?": Toward a Passionate Praxis (page 225)
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Notes (page 233)
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Bibliography (page 259)
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Index (page 275)
Journal Abbreviation | Label | URL |
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JSH | 77.3 (2011): 764-765 | http://www.jstor.org/stable/41306358 |
FF | 22.1 (2010): 197-204 | http://www.jstor.org/stable/40835350 |
Citable Link
Published: 2008
Publisher: University of Texas Press
- 9780292718685 (hardcover)