Example 2.4, “Who has Been There,” song attributed to "the daughter of Limchi, in Végegyháza, the Buje." Gypsy Folk Songs from Hungary (Hungaroton 18028-29, 1989 [1976]). Courtesy of Naxos USA. See also Spotify: https://open.spotify.com/track/6iVsX3neCXuzfrIUMYeJkL

Example 3.1. Mississippi Matilda Powell with guitarists Sonny Boy Nelson and Willie Harris, Jr., “Hard Working Woman,” recorded 1936 in New Orleans. Mississippi Blues Volume 3, 1939-1940 (Document Records DOCD-5671, 2002). Used by permission.

Example 3.2. Grinding song attributed to "a young Tikar woman," recorded by Gerhard Kubik in central Cameroon, 1964. Africa and the Blues (Neatwork AB-101, 2001). Used by permission.

Example 3.11. Florence Price, "Fantasie nègre" (Black fantasy), performed by Samatha Ege. Used by permission.

Example 3.12. Margaret Bonds, "Troubled Water," performed by Samantha Ege. Four Women: Music for Piano by Price, Kaprálová, Bilsland, and Bonds (Wave Theory Records, 2018). Used by permission.

Example 4.10. Excerpt from The Black Madonna’s set at Lente Kabinet Festival, 2017. Soundcloud: https://soundcloud.com/dkmntl/the-black-madonna-at-lente-kabinet-festival-2017

Example 4.11. Excerpt from Mystère des Voix Bulgares/Angelite, “Guro is Looking for a Bride.” A Cathedral Concert (Verve World 314 510 794-4, 1988). See also Youtube: https://www.youtube.com/watch?v=XbYCOLhA5GE

Fig. 4.4. Album cover of From Bulgaria with Love, by Mystère des Voix Bulgares. The folk costumes are a ubiquitous part of the choir’s presentation; the gun indicates their origin in a Communist country, which would have been regarded as unsafe and unfree by Western European and US audiences.

Example 5.8. Excerpt from Galina Ustvolskaya, Piano Sonata no. 2, first movement, performed by Marianne Schroeder (HAT HUT records, 2017 [2010]). Youtube: https://www.youtube.com/watch?v=a87Tn2V2uvA

Example 5.12. Excerpt from Yuan Wei-Ren and Faye Wong, “Love Without Regrets,” from Love Without Regrets (Hong Kong: Cinepoly CP-5-0091,1993). Translation from Cantonese by Dan Jurafsky. See also Youtube: https://www.youtube.com/watch?v=k18hEJDDyBQ

Fig. 6.2. Barbara Benary, Braid, generating pattern. Gamelan Works, vol. 1, The Braid Pieces ([New York]: Gamelan Son of Lion, 1993), 2. The numbers refer to the degrees (step numbers) of the seven-note scale.

Example 6.11. Barbara Benary, “Braid,” performed by Gamelan Son of Lion, The Complete Gamelan in the New World (Folkways FTS 31312, 1982 [1979]). Used by permission of Smithsonian Folkways Recordings. See also Youtube: https://www.youtube.com/watch?v=WPvJRy1Yanw&list=PLwiBRoSc5aNryUBJoA5R1PovFJnFwbYLe&index=13

Example 6.15. Asha Srinivasan, Janani, saxophone version, performed by Michael Mizrahi, piano; and Sara Kind, Jesse Dochnahl, Will Obst, and Sumner Truax, saxophones. Recording provided courtesy of the composer.

Example 6.18. Excerpt from “Nagaswaram or Nadaswaram,” Nagaswaram performance at Thirugukkungudi in Tamil Nadu. Performers not named. Video posted on Youtube by indiavideo.org, https://www.youtube.com/watch?v=qy8zxmhLrAo Good faith effort has been made to contact the videographer.

Example 6.23. Courtney Bryan and Sharan Strange, “Yet Unheard,” performed by Helga Davis with the La Jolla Symphony and Chorus conducted by Steven Schick, 2018. Video courtesy of UCSD-TV.

Fig. 6.3. Singers in a performance of the chamber version of Courtney Bryan’s Yet Unheard, Ojai Music Festival, 2017. Pictured from left: Joelle Lamarre, Gwendolyn Brown, Helga Davis, Julian Terrell Otis, and Davóne Tines. YouTube: www.youtube.com/watch?v=XiklJQEC5kI