Share the story of what Open Access means to you
![a graphic of a lock that is open, the universal logo for open access](/assets/oa-lock-logo-lg-a95dd8d9f9fe5e21ab4499ffd0c8661e55f7d788ae0a03f19a6749eb82e3e899.png)
University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.
Ernst Kurth: selected writings
Ernst Kurth and Lee Allen Rothfarb-
Frontmatter
-
Foreword by Ian Bent (page xi)
-
Preface (page xiii)
-
Notes on the translation (page xvi)
-
Introduction (page 1)
-
Part I Grundlagen des linearen Kontrapunkts (Foundations of linear counterpoint) (page 35)
-
1 Polyphonic structure (page 37)
-
2 Thematic and motivic processes (page 58)
-
3 Polyphonic melody (page 75)
-
-
Part II Romantische Harmonik und ihre Krise in Wagners "Tristan" (Romantic harmony and its crisis in Wagners "Tristan") (page 97)
-
4 Details of Romantic harmony (page 99)
-
5 Broader dimensions of Romantic harmony (page 130)
-
-
Part III Bruckner
-
6 Bruckner's form as undulatory phases (page 151)
-
7 Details of Bruckner's symphonic waves (page 188)
-
-
Appendix: Complete tables of contents for Kurth's Grundlagen des linearen Kontrapunkts, Romantische Harmonik und ihre Krise in Wagners "Tristan" and Bruckner (page 208)
-
Select bibliography (page 219)
-
Index of musical examples (page 228)
-
General Index (page 230)
Journal Abbreviation | Label | URL |
---|---|---|
NOT | 49.2 (Dec. 1992): 590-593 | http://www.jstor.org/stable/897928 |
MAL | 73.2 (May 1992): 313-315 | http://www.jstor.org/stable/735955 |
![](/image-service/2f75r84121530643933/full/full/0/default.png)
Citable Link
Published: 1991
Publisher: Cambridge University Press
- 9780521355223 (hardcover)
- 9781139085113 (ebook)