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Lawrence of Arabia: a film's anthropology
Steven Charles Caton
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Frontmatter
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List of Illustrations (page ix)
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Preface (page xi)
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Acknowledgments (page xiii)
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Introduction. The Teatro del Lago and After (page 1)
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1. "Travelling Circus": The Transnational in Film Production of the 1950s (page 24)
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2. Lean's Lens: An Embodiment of Vision (page 63)
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3. Riding the Whirlwind: Scripting the Political in the Spectacle (page 100)
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4. An Allegory of Anthropology (page 142)
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5. An Anti-Imperialist, Orientalist Epic (page 172)
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6. Maskulinities (page 200)
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Epilogue (page 239)
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Notes (page 259)
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Bibliography (page 279)
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Index (page 293)
Journal Abbreviation | Label | URL |
---|---|---|
FQ | 54.2 (Winter 2000-2001): 58-59 | http://www.jstor.org/stable/1213634 |
AE | 27.2 (May 2000): 543-544 | http://www.jstor.org/stable/647219 |
AANTH | 10.3.2 (Jun. 2001): 563-564 | http://www.jstor.org/stable/683507 |
BJMES | 27.2 (Nov. 2000): 229-230 | http://www.jstor.org/stable/826105 |
BIO | 23.3 (Summer 2000): 560-562 | http://muse.jhu.edu/journals/biography/v023/23.3hanson.html |
Citable Link
Published: c1999
Publisher: University of California Press
- 9780520919891 (ebook)
- 9780520210820 (hardcover)
- 9780520210837 (paper)