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Expressionism and modernism in the American theatre: bodies, voices, words
Julia A. Walker
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Frontmatter
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List of illustrations (page viii)
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Acknowledgments (page x)
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Part I Introduction (page 1)
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1 Bodies: actors and artistic agency on the nineteenth-century stage (page 13)
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2 Voices: oratory, expression, and the text/performance split (page 58)
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3 Words: copyright and the creation of the performance "text" (page 84)
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Part II Introduction (page 111)
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4 The "unconscious autobiography" of Eugene O'Neill (page 123)
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5 Elmer Rice and the cinematic imagination (page 155)
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6 "I love a parade!": John Howard Lawson's minstrel burlesque of the American Dream (page 188)
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7 Sophie Treadwell's "pretty hands" (page 211)
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Epilogue: "modern times" (page 239)
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Notes (page 247)
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Works cited (page 278)
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Index (page 293)
Citable Link
Published: c2005
Publisher: Cambridge University Press
- 9780511124556 (ebook)
- 9780521108911 (paper)
- 9780521847476 (hardcover)