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The music of Tōru Takemitsu
Peter Burt
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Frontmatter (page i)
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Acknowledgements (page ix)
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Note on conventions (page xi)
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Introduction (page 1)
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1 Pre-history: how Western music came to Japan (page 4)
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2 Music and 'pre-music': Takemitsu's early years (page 21)
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3 Experimental workshop: the years of Jikken Kōbō (page 39)
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4 The Requiem and its reception (page 50)
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5 Projections on to a Western mirror (page 73)
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6 'Cage shock' and after (page 92)
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7 Projections on to an Eastern mirror (page 110)
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8 Modernist apogee: the early 1970s (page 132)
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9 Descent into the pentagonal garden (page 160)
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10 Towards the sea of tonality: the works of the 1980s (page 175)
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11 Beyond the far calls: the final years (page 216)
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12 Swimming in the ocean that has no West or East (page 234)
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Notes (page 254)
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List of Takemitsu's Works (page 269)
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Select bibliography (page 281)
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Index (page 288)
Journal Abbreviation | Label | URL |
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TMP | 57.223 (Jan. 2003): 65 | http://www.jstor.org/stable/3878899 |
NOT | 59.1 (Sep. 2002): 59-61 | http://www.jstor.org/stable/900740 |
JJS | 29.2 (Summer 2003): 505-509 | http://www.jstor.org/stable/25064442 |
Citable Link
Published: c2001
Publisher: Cambridge University Press
- 9780521782203 (hardcover)
- 9781139085441 (ebook)
- 9780521026956 (paper)