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The virtual life of film
David Norman Rodowick
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Frontmatter
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I. THE VIRTUAL LIFE OF FILM
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1. Futureworld (page 2)
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2. The Incredible Shrinking Medium (page 3)
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3. Back to the Future (page 9)
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II. WHAT WAS CINEMA?
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4. Film Begets Video (page 26)
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5. The Death of Cinema and the Birth of Film Studies (page 28)
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6. A Medium in All Things (page 31)
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7. Automatisms and Art (page 41)
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8. Automatism and Photography (page 46)
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9. Succession and the Film Strip (page 52)
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10. Ways of Worldmaking (page 54)
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11. A World Past (page 62)
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12. An Ethics of Time (page 73)
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III. A NEW LANDSCAPE (WITHOUT IMAGE)
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13. An Elegy for Film (page 90)
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14. The New "Media" (page 93)
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15. Paradoxes of Perceptual Realism (page 99)
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16. Real Is as Real Does (page 107)
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17. Lost in Translation: Analogy and Index Revisited (page 110)
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18. Simulation, or Automatism as Algorithm (page 124)
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19. An Image That is Not "One" (page 131)
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20. Two Futures for Electronic Images, or What Comes after Photography? (page 141)
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21. The Digital Event (page 163)
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22. Transcoded Ontologies, or "A Guess at the Riddle" (page 174)
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23. Old and New, or the (Virtual) Renascence of Cinema Studies (page 181)
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Acknowledgments (page 191)
Journal Abbreviation | Label | URL |
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SFFT | 1.2 (Spring 2008): 331-335 | http://muse.jhu.edu/journals/science_fiction_film_and_television/v001/1.2.rushton.html |
MFS | 55.2 (Summer 2009): 411-413 | http://muse.jhu.edu/journals/modern_fiction_studies/v055/55.2.rutz.html |
Citable Link
Published: c2007
Publisher: Harvard University Press
- 9780674026988 (paper)
- 9780674042834 (ebook)
- 9780674026681 (hardcover)