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Dance and the nation: performance, ritual, and politics in Sri Lanka
Susan Anita Reed-
Frontmatter
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List of Illustrations (page ix)
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Acknowledgments (page xi)
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Note on Transliteration and Usage (page xv)
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Introduction (page 3)
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1. Kohomba Kankariya as Village Ritual (page 23)
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2. Performers, Patrons, Dance (page 74)
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3. A History of Kandyan Dance, 1875-1948 (page 96)
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4. Dance, Ethnicity, and the State (page 128)
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5. Performing the Nation: The Berava and Kandyan Dance (page 151)
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6. Kohomba Kankariya as Spectacle (page 174)
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7. Between Purity and Respectability: Sinhala Women and Kandyan Dance (page 198)
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Appendix 1: Contents of DVD (page 219)
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Appendix 2: Criteria for Grading of Kalayatanayas (page 221)
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Appendix 3: Kohomba Kankariyas Observed, 1987-1988 (page 223)
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Glossary (page 225)
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Notes (page 227)
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References (page 251)
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Index (page 263)
Journal Abbreviation | Label | URL |
---|---|---|
AQ | 83.4 (Fall 2010): 937-940 | http://www.jstor.org/stable/40890847 |
ASE | 71.2 (2012): 308-310 | http://www.jstor.org/stable/23339404 |
JAS | 70.1 (Feb. 2011): 291-292 | http://www.jstor.org/stable/41302275 |
JAR | 67.1 (Spring 2011): 138-139 | http://www.jstor.org/stable/41304146 |
DRJ | 43.2 (Winter 2011): 89-92 | https://muse.jhu.edu/article/473156/ |
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Citable Link
Published: c2010
Publisher: The University of Wisconsin Press
- 9780299231644 (paper)