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English choral practice, 1400-1650
John Morehen-
Frontmatter
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List of plates (page viii)
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General preface (page ix)
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Preface (page xi)
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Abbreviations (page xiii)
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1 To chorus from quartet: the performing resource for English church polyphony, c. 1390---1559 (ROGER BOWERS, page 1)
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2 Editing and performing musica speculativa (ROGER BRAY, page 48)
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3 The sound of Latin in England before and after the Reformation (ALISON WRAY, page 74)
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4 English Pronunciation, c. 1500---c. 1625 (ALISON WRAY, page 90)
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5 Byrd, Tallis and Ferrabosco (DAVID WULSTAN, page 109)
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6 John Baldwin and changing concepts of text underlay (DAVID MATEER, page 143)
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7 Sacred songs in the chamber (JOHN MILSOM, page 161)
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8 The education of choristers in England during the sixteenth century (JANE FLYNN, page 180)
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9 The 'burden of proof': the editor as detective (JOHN MOREHEN, page 200)
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Index of names and places (page 221)
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Index of manuscript and printed music sources (page 229)
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Index of works cited (page 233)
Journal Abbreviation | Label | URL |
---|---|---|
SCJ | 28.2 (Summer 1997): 529-530 | http://www.jstor.org/stable/2543466 |
MAL | 78.7 (May 1997): 259-262 | http://www.jstor.org/stable/737396 |
MT | 137.1841 (Jul. 1996): 12-15 | http://www.jstor.org/stable/1003436 |
NOT | 54.4 (Jun. 1998): 914-916 | http://www.jstor.org/stable/900071 |
EM | 24.4 (Nov. 1996): 691-693 | http://www.jstor.org/stable/3128064 |
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Citable Link
Published: c1995
Publisher: Cambridge University Press
- 9780521544085 (paper)
- 9781139085106 (ebook)
- 9780521441438 (hardcover)