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A measured pace: towards a philosophical understanding of the arts of dance
Francis Edward Sparshott-
Frontmatter
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Preface (page xv)
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1 Introduction (page 3)
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PART ONE: Kinds of Dance (page 11)
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2 The Problem of Classification (page 13)
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3 Classification by Context (page 25)
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4 Mimesis (page 61)
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5 Expression (page 84)
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6 Formal Principles of Movement (page 102)
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7 Anatomy (page 126)
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8 Units and Systems (page 134)
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9 Rhythm (page 154)
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10 One and Many (page 183)
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11 Modes of Dance Organization (page 202)
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PART TWO: Dance and Related Fields (page 211)
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12 Dance and Music (page 215)
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13 Dance and Language (page 242)
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14 Dance and Theatre (page 264)
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PART THREE: Aspects of Dance (page 297)
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15 Dance Values (page 301)
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16 Dance and Spectator (page 342)
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17 Learning to Dance (page 350)
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18 Dance and Choreography (page 373)
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19 The Identity of Dance (page 397)
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20 Recording Dance (page 420)
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21 Conclusion (page 453)
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22 Afterword: The Three Graces (page 459)
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Notes (page 463)
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References (page 545)
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Index (page 561)
Journal Abbreviation | Label | URL |
---|---|---|
JAAC | 57.4 (Autumn 1999): 481-482 | http://www.jstor.org/stable/432163 |
PQ | 48.190 (Jan. 1998): 129-132 | http://www.jstor.org/stable/2660389 |
DR | 15.1 (Summer 1997): 102-105 | http://www.jstor.org/stable/1290960 |
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Citable Link
Published: c1995
Publisher: University of Toronto Press
- 9780802069467 (paper)
- 9781442677159 (ebook)
- 9780802005106 (hardcover)