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Self-Projection: The Director’s Image in Art Cinema
Linda Haverty Rugg
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Linda Haverty Rugg explores how nondocumentary narrative art films create alternative forms of collaborative self-representation and selfhood. Lively and accessible, Self-Projection sheds new light on the films of iconic directors and on art cinema in general, ultimately showing how film can transform not only the autobiographical act, but what it means to have a self.
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Cover Page
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Title Page
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Copyright Page
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Dedication
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CONTENTS
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ACKNOWLEDGMENTS
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INTRODUCTION: Without a You, No I: Cinematic Self-Projection
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1. The Director’s Body
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2. The Director Plays Director
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3. Actor, Avatar
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4. Self-Projection and the Cinematic Apparatus
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CONCLUSION: The Eye/I of the Auteur
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NOTES
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BIBLIOGRAPHY
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FILMOGRAPHY
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INDEX
Citable Link
Published: 2014
Publisher: University of Minnesota Press
- 9780816691241 (paper)