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Roberto Rossellini's Rome open city
Sidney Gottlieb
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Frontmatter
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Acknowledgments (page ix)
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List of Contributors (page xi)
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Introduction: Open City: Reappropriating the Old, Making the New (Sidney Gottlieb, page 1)
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1 Rossellini, Open City, and Neorealism (Sidney Gottlieb, page 31)
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2 The Making of Roma città aperta: The Legacy of Fascism and the Birth of Neorealism (Peter Bondanella, page 43)
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3 Celluloide and the Palimpsest of Cinematic Memory: Carlo Lizzani's Film of the Story Behind Open City (Millicent Marcus, page 67)
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4 Diverting Clichés: Femininity, Masculinity, Melodrama, and Neorealism in Open City (Marcia Landy, page 85)
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5 Space, Rhetoric, and the Divided City in Roma città aperta (David Forgacs, page 106)
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6 Mourning, Melancholia, and the Popular Front: Roberto Rossellini's Beautiful Revolution (Michael P. Rogin, page 131)
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REVIEWS OF OPEN CITY (page 161)
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Bosley Crowther, New York Times (February 26 and March 3, 1946) (page 161)
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John Mason Brown, Saturday Review of Literature (April 6, 1946) (page 164)
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James Agee, The Nation (March 23 and April 13, 1946) (page 167)
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Filmography (page 171)
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Select Bibliography (page 189)
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Index (page 191)
Citable Link
Published: c2004
Publisher: Cambridge University Press
- 9780521836647 (hardcover)
- 9781139086042 (ebook)
- 9780521545198 (paper)