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Sartorial Fandom: Fashion, Beauty Culture, and Identity
In recent years, geeks have become chic, and the fashion and beauty industries have responded to this trend with a plethora of fashion-forward merchandise aimed at the increasingly lucrative fan demographic. This mainstreaming of fan identity is reflected in the glut of pop culture T-shirts lining the aisles of big box retailers as well as the proliferation of fan-focused lifestyle brands and digital retailers over the past decade. While fashion and beauty have long been integrated into the media industry with tie-in lines, franchise products, and other forms of merchandise, there has been limited study of fans' relationship to these items and industries.
Sartorial Fandom shines a spotlight on the fashion and beauty cultures that undergird fandoms, considering the retailers, branded products, and fan-made objects that serve as forms of identity expression. This collection is invested in the subcultural and mainstream expression of style and in the spaces where the two intersect. Fan culture is, in many respects, an optimal space to situate a study of style because fandom itself is often situated between the subcultural and the mainstream. Collectively, the chapters in this anthology explore how various axes of lived identity interact with a growing movement to consider fandom as a lifestyle category, ultimately contending that sartorial practices are central to fan expression but also indicative of the primacy of fandom in contemporary taste cultures.
Figure 3.1. Top to bottom: DIY steampunk goggles, photograph by author; Victorian-era dress pattern from The National Garment Cutter Book of Diagrams (1888), scan by Etsy shop How to Books; steampunk corset crafted and photographed by Deadlance Steamworks, posted on Deviant Art; The Army of Broken Toys album cover, posted on Instagram by @armyoftoys (left), photo of Maurice Broaddus by Ankh Photography (right); “Eye of Horus” steampunk brass pendant by Denki Endorphin and A Story Tokyo.
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