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Painting religion in public: John Singer Sargent's Triumph of religion at the Boston Public Library
Sally M. Promey
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Frontmatter
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ACKNOWLEDGMENTS (page viii)
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INTRODUCTION PAINTING RELIGION IN PUBLIC (page 2)
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CHAPTER I THE SUBJECTIVITY OF MODERN RELIGION (page 10)
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CHAPTER 2 RITUAL PERFORMANCES (page 62)
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CHAPTER 3 CULTURAL SELECTIONS (page 104)
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CHAPTER 4 EDUCATION FOR DEMOCRACY (page 144)
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CHAPTER 5 THE SYNAGOGUE CONTROVERSY (page 174)
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CHAPTER 6 SYNAGOGUE, CHURCH, AND THE SELF CONCEALED (page 226)
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CHAPTER 7 THE MANY PUBLICS OF SARGENT'S PROPHETS (page 272)
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EPILOGUE REPRESENTING RELIGIOUS PLURALISM IN PUBLIC (page 306)
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ABBREVIATIONS (page 317)
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NOTES (page 318)
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SELECTED BIBLIOGRAPHY (page 349)
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INDEX (page 356)
Journal Abbreviation | Label | URL |
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CH | 69.3 (Sep. 2000): 687-689 | http://www.jstor.org/stable/3169436 |
WIP | 35.1 (Spring. 2000): 103-105 | http://www.jstor.org/stable/1215277 |
JAAR | 70.4 (Dec. 2002): 925-928 | http://www.jstor.org/stable/1466421 |
BM | 142.1163 (Feb. 2000): 116-117 | http://www.jstor.org/stable/888677 |
Citable Link
Published: 2001
Publisher: Princeton University Press
- 9780691015651 (hardcover)
- 9780691089508 (paper)