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Perils of the night: a feminist study of nineteenth-century Gothic
Eugenia C. DeLamotte
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Frontmatter
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I: Boundaries of the Self as a Gothic Theme
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Introduction: The Genre, the Canon, and the Myth (page 3)
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1 Self-Defense in the Gothic Tradition: Radcliffe, Brockden Brown, Henry James (page 29)
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2 The Mystery of Knowledge: Frankenstein, Melmoth, Pierre (page 43)
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3 "Deadly Iteration": Hawthorne's Gothic Vision (page 93)
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4 Boundaries of the Self as Romantic Theme: Emily Brontë (page 118)
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Epilogue (page 144)
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II. Boundaries of the Self in Women's Gothic
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5 Speaking "I" and the Gothic Nightmare: Boundaries of the Self as a Woman's Theme (page 149)
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6 Gothic Romance and Women's Reality in Jane Eyre (page 193)
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7. Villette: Demystifying Women's Gothic (page 229)
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Epilogue (page 290)
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Notes (page 293)
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Bibliography (page 323)
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Index (page 341)
Journal Abbreviation | Label | URL |
---|---|---|
JMB | 11.2 (Spring. 1990): 239-241 | http://www.jstor.org/stable/43853504 |
MP | 90.3 (Feb. 1993): 442-445 | http://www.jstor.org/stable/438659 |
SIG | 17.4 (Summer. 1992): 848-852 | http://www.jstor.org/stable/3174545 |
VR | 17.1 (Summer. 1991): 96-99 | http://www.jstor.org/stable/27794676 |
Citable Link
Published: 1990
Publisher: Oxford University Press
- 9780195056938 (hardcover)
- 9780195363463 (ebook)