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Nuyorican Feminist Performance: From the Café to Hip Hop Theater
Patricia Herrera
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The Nuyorican Poets Café has for the past forty years provided a space for multicultural artistic expression and a platform for the articulation of Puerto Rican and black cultural politics. The Café's performances—poetry, music, hip hop, comedy, and drama—have been studied in detail, but until now, little attention has been paid to the voices of its women artists. Through archival research and interview, Nuyorican Feminist Performance examines the contributions of 1970s and '80s performeras and how they challenged the Café's gender politics. It also looks at recent artists who have built on that foundation with hip hop performances that speak to contemporary audiences. The book spotlights the work of foundational artists such as Sandra María Esteves, Martita Morales, Luz Rodríguez, and Amina Muñoz, before turning to contemporary artists La Bruja, Mariposa, Aya de León, and Nilaja Sun, who infuse their poetry and solo pieces with both Nuyorican and hip hop aesthetics.
Cover
Title Page
Copyright Page
Dedication
Contents
Acknowledgments
Prologue
Chapter 1. Practicing a Feminist Nuyorican Aesthetic
Chapter 2. Gendering the Genealogies of the Nuyorican Aesthetic
Chapter 3. The Founding Mothers of the Nuyorican Poets Café
Chapter 4. Masculinity in Hip Hop, Spoken Word, and Slam Poetry
Chapter 5. “It Was Definitely a Family Affair”
Chapter 6. Performing Afro-Latinidad
Chapter 7. A Hip Hop Feminist Approach to Aya de León’s Thieves in the Temple
Figure 10. Flier advertising performance of New Rican Village’s salsa performance, July 17, 1978 at the Delacorte Theatre. Designed by Néstor Otero. Courtesy of Sandra María Esteves.