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Staging Philosophy: Intersections of Theater, Performance, and Philosophy
David Krasner and David Z. Saltz, Editors
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The fifteen original essays in Staging Philosophy make useful connections between the discipline of philosophy and the fields of theater and performance and use these insights to develop new theories about theater. Each of the contributors—leading scholars in the fields of performance and philosophy—breaks new ground, presents new arguments, and offers new theories that will pave the way for future scholarship.
Staging Philosophy raises issues of critical importance by providing case studies of various philosophical movements and schools of thought, including aesthetics, analytic philosophy, phenomenology, deconstruction, critical realism, and cognitive science. The essays, which are organized into three sections—history and method, presence, and reception—take up fundamental issues such as spectatorship, empathy, ethics, theater as literature, and the essence of live performance. While some essays challenge assertions made by critics and historians of theater and performance, others analyze the assumptions of manifestos that prescribe how practitioners should go about creating texts and performances. The first book to bridge the disciplines of theater and philosophy, Staging Philosophy will provoke, stimulate, engage, and ultimately bring theater to the foreground of intellectual inquiry while it inspires further philosophical investigation into theater and performance.
David Krasner is Associate Professor of Theater Studies, African American Studies, and English at Yale University. His books include A Beautiful Pageant: African American Theatre, Drama, and Performance in the Harlem Renaissance, 1910-1920 and Renaissance, Parody, and Double Consciousness in African American Theatre, 1895-1910. He is co-editor of the series Theater: Theory/Text/Performance.
David Z. Saltz is Professor of Theatre Studies and Head of the Department of Theatre and Film Studies at the University of Georgia. He is coeditor of Theater Journal and is the principal investigator of the innovative Virtual Vaudeville project at the University of Georgia.
Staging Philosophy raises issues of critical importance by providing case studies of various philosophical movements and schools of thought, including aesthetics, analytic philosophy, phenomenology, deconstruction, critical realism, and cognitive science. The essays, which are organized into three sections—history and method, presence, and reception—take up fundamental issues such as spectatorship, empathy, ethics, theater as literature, and the essence of live performance. While some essays challenge assertions made by critics and historians of theater and performance, others analyze the assumptions of manifestos that prescribe how practitioners should go about creating texts and performances. The first book to bridge the disciplines of theater and philosophy, Staging Philosophy will provoke, stimulate, engage, and ultimately bring theater to the foreground of intellectual inquiry while it inspires further philosophical investigation into theater and performance.
David Krasner is Associate Professor of Theater Studies, African American Studies, and English at Yale University. His books include A Beautiful Pageant: African American Theatre, Drama, and Performance in the Harlem Renaissance, 1910-1920 and Renaissance, Parody, and Double Consciousness in African American Theatre, 1895-1910. He is co-editor of the series Theater: Theory/Text/Performance.
David Z. Saltz is Professor of Theatre Studies and Head of the Department of Theatre and Film Studies at the University of Georgia. He is coeditor of Theater Journal and is the principal investigator of the innovative Virtual Vaudeville project at the University of Georgia.
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Cover
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Title
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Copyright
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Dedication
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Contents
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Introduction
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Part I: History and Method
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One The Text/Performance Split across the Analytic/Continental Divide
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Two Kenneth Burke: Theater, Philosophy, and the Limits of Performance
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Three Critical Realism and Performance Strategies
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Part II: Presence
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Four Humanoid Boogie: Reflections on Robotic Performance
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Five Philosophy and Drama: Performance, Interpretation, and Intentionality
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Six Embodiment and Presence: The Ontology of Presence Reconsidered
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Seven Presence
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Eight Technique
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Nine Presenting Objects, Presenting Things
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Part III: Reception
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Ten Infiction and Outfiction: The Role of Fiction in Theatrical Performance
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Eleven Understanding Plays
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Twelve Perception, Action, and Identification in the Theater
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Thirteen Empathy and Theater
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Fourteen The Voice of Blackness: The Black Arts Movement and Logocentrism
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Fifteen Theatricality, Convention, and the Principle of Charity
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Contributors
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Index
Citable Link
Published: 2006
Publisher: University of Michigan Press
- 978-0-472-06950-7 (paper)
- 978-0-472-02514-5 (ebook)