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Vincenzo Bellini, Norma
David R. B. Kimbell
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Frontmatter
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List of plates (page vi)
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General preface (page vii)
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Preface (page ix)
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A note on Italian prosody (page xi)
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A note on the vocal score (page xiii)
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1 The composition of the opera (page 1)
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2 Medea—Velleda—Norma: Romani's sources (page 16)
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3 Synopsis and musical frame (page 29)
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4 Music and poetry (page 42)
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5 A glimpse of the genesis of the opera (page 67)
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6 Some variant readings (page 83)
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7 Contemporary reactions to Norma (page 89)
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8 Critical fortunes since the Unification of Italy (page 97)
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9 Five prima donnas: contributions to a performance history (page 107)
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Appendices
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I Borrowings (page 120)
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II The total plan of Norma (page 122)
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III Liszt's 'Réminiscences de Norma' (page 126)
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Notes (page 131)
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Bibliography (page 135)
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Index (page 139)
Journal Abbreviation | Label | URL |
---|---|---|
MAL | 80.4 (Nov. 1999): 631-634 | http://www.jstor.org/stable/855001 |
MT | 140.1867 (Summer 1999): 73-74 | http://www.jstor.org/stable/1193903 |
Citable Link
Published: c1998
Publisher: Cambridge University Press
- 9780511092794 (ebook)
- 9780521485142 (paper)
- 9780521480369 (hardcover)