• Fig. 6.7. Discontinuity in Action (shot 8). Extreme LS: an abrupt ellipsis. Viper is now also under the bridge, aiming his gun at Tetsu on the tracks in the foreground.

Discontinuity in Action, Shot 8

From Negative, Nonsensical, and Non-Conformist: The Films of Suzuki Seijun by Peter A. Yacavone

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  • Media Studies:Cinema Studies
  • Asian Studies:Japan
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