• Fig. 3.20. Extreme Visual Contrast (2): The Bisected Frame: contrast the “decadent” mise-en-scène of the cabaret with the sterile office

Extreme Visual Contrasts 2

From Negative, Nonsensical, and Non-Conformist: The Films of Suzuki Seijun by Peter A. Yacavone

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  • Media Studies:Cinema Studies
  • Asian Studies:Japan
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