• Fig. 4.25. History as Theatre: the improbably costumed, grand guignol villain (Kawachi Tamio) beneath Kimura’s stylized recreation of Taishō’s Ryōunkaku tower (note the dispropionate scaling) (Hana to dotō)

History as Theatre

From Negative, Nonsensical, and Non-Conformist: The Films of Suzuki Seijun by Peter A. Yacavone

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  • Media Studies:Cinema Studies
  • Asian Studies:Japan
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